t.h.a.n.k.s.*
31 slide projection loops were co-created daily by Mike Reandeau and Markuz Wernli Saitô and presented at the window of a private residence in San Jose's historical Reed district between April 10 through May 10, 2008. *(tiny. humble. ardent. now. knock. soul)
PROJECT ARCHIVE
Agreement
Catalog PDF 946KB
Project Photos
Comments
The photographs below show some impressions from the preparations backstage and a preliminary projection session with Mike, Markuz and Norman.
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t.h.a.n.k.s. — acronym with open meaning
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Live performance by Norman during the first projection
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Vibes of gratefulness (photo Mike Reandeau)
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View through the bay window in daylight
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Norman and Markuz hang the screen (photo Mike Reandeau)
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Taking in the impact of the beta projection
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Artists needed to be interested in responding to the unique layout, architectural features, personal display, or social dynamics of the space. The Distributed Exhibition asked: What might happen when artwork is created for a particular person, family, or living situation? What if private residences became display spaces? What if the occupants became gallerists? What if the viewers became guests? In order to view the works in the show, visitors must enter into a much more intimate situation than other art exhibition venues with a different social contract. The show crossed the boundaries between public and private, exploring an alternate mechanism for viewing and displaying art. It mixed the social context of a friend or trusted party invited into a personal space with the more distant relationship art consumer and gallerist or curator.
The Distributed Exhibition was funded by a CCA Center for Art and Public Life Grant and made possible with the support of the San Jose Institute of Contemporary Art (ICA).
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